Aakash Nihalani – “Portal” New Exhibition at Jonathan LeVine Gallery
Con Aakash Nihalani chiudiamo il cerchio sulla doppia esibizione all’interno della Jonathan LeVine Gallery, se nel primo spazio troviamo “Virtual Reality” di Haroshi nel secondo invece abbiamo “Portal”.
Come anticipatovi il corpo della mostra mette in evidenza tutto l’incredibile e spettacolare mondo dell’artista, grazie ad installazioni in legno e tele, tutte rigorosamente multidimensionali e coloratissime, scopriamo come la nostra percezione visiva sia in realtà diversa da quella di un’altra persona e come l’artista lavori proprio su questo punto presentando una serie di figure geometriche in un piano bidimensionale che dando l’illusione invece della terza dimensione.
Dopo il salto ampissima gallery per ammirare da vicino quanto di buono proposto, per chi si trovasse in zona i due show rimarranno aperti fino al 9 di Febbraio.
Jonathan LeVine Gallery is pleased to present Portal, a series of new works by New York-based artist Aakash Nihalani, in what will be his first solo exhibition at the gallery.
Known in the street art community for his fluorescent tape interventions, Nihalani combines a bright color palette with geometric abstract shapes, resulting in striking contrasts within the context of the urban landscape. Expanding on his exploration of form and space, the artist continues to build upon this body of work in his studio practice, through works on canvas and wooden panels.
Nihalani’s bold, flat shapes continue to evolve into complex multi-dimensional patterns, often producing intricate optical illusions that challenge the viewer’s relationship with their surrounding environment. The imagery appears to extend or recede from the surface of the picture plane through the artist’s carefully developed variations on color theory and architectural elements with influences of Op art and Mathematical perspectives.
The artist enjoys the interactive effect of his work in the gallery setting as well as on the street. His exhibitions often include site-specific installations created with tape, similar to his public interventions, which complement his paintings and freestanding sculptures. The accessible quality of Nihalani’s imagery connects with a wide audience, much like the adhesive nature of his original medium.
In Nihalani’s words, “I try to create a new visual space within the physical confines of any piece I work on, through the illusion of three-dimensional imagery contained on a two-dimensional plane. When looking at the work—orientation shifts, shapes merge, direction inverts, foreground becomes background and vice versa. In observing the differences in how we process this information, one becomes aware of how subjective perception can be and how we choose to view reality, individually.”
Jonathan LeVine Gallery
529 West 20th Street, 9th Floor
New York, NY
Pics by Arrested Motion